ENG331H1S Drama to 1603
Prof. Matthew Sergi
By Jasmine Cornforth 998143940
March 31, 2014
The Fuel of Middle
English Drama
Keywords: food, meat,
Dorset Cornwall, Lancashire, Devon
This report seeks
to explore food as an important element in the production of early
drama, based on information found within the Records of Early English
Drama (REED). Specifically, it will look at the various ways in which
food was used around or during dramatic productions, as well as
attempt to explain when and why it was consumed. It will also
identify some of the foods that the people involved in drama to 1603
consumed, whether at feasts or as simple subsistence. This
information will be retrieved from three REED volumes: Dorset
Cornwall, Lancashire and Devon.
To begin with, what
was food used for? Obviously, everyone needed to eat regardless of
whether or not they were involved in a dramatic production, but we
can generally assume that REED provides us with records of food that
is used specifically to help make said dramatic productions possible.
Please note that while drinks were very important in the middle ages,
this essay will try to limit its discussion to food only.
In the Devon
volume, there is one record for the town of Plymouth for what appears
to be the account for a Corpus Christi dinner. It is said in this
record that all diners were to be provided with food and drink, but
that a charge would be reckoned for each individual. However, they
would be able to pay their providers back at their own leisure. As we
know from class, plays (specifically mystery plays) were performed on
Corpus Christi. They were apparently put on as entertainment while
the audience enjoyed their feast. Corpus Christi meals were one of
the main ways in which food was important to dramatic productions;
the feasts were accompanied by the plays. The feasts would likely
have been quite popular seeing as those who attended were not
pressured to pay for their meals immediately, so they would have been
able to draw people as diners/audience members in regardless of how
much money they had. The amount of people who showed up for these
plays was therefore potentially somewhat reliant on the feast that
was provided to them.
Corpus Christi is
not the only event at which dramatic performances occurred and
required food, of course. For example, the Dorset Cornwall volume
mentions a more secular custom called Cobb ale, which apparently
fostered the community spirit of townsfolk while raising funds for
various civic projects. Cobb ale occurred annually in Lyme Regis
(located in West Dorset) and lasted between two and three weeks. It
seems to have lasted from around 1554 to 1606, according to REED. We
know that ample food as well as drink was required for Cobb ale to
take place, but this volume of REED does not make it clear whether
this food and drink was exclusively that which was consumed by the
performers themselves, or by the audiences of the productions as
well. The performers are said to have traveled to nearby towns
together during the celebration, so they did not remain exclusively
local, and would have needed to have been “fueled” by the
production company. This is only one very specific example of
traveling performers needing to be fed and provided for, but we can
easily assume that this was a common practice in many different
cases.
Also in the Dorset
Cornwall volume, there are several accounts listing food and other
items that were apparently purchased for Hocktide or “Hock days”
in the Blandford Forum (located in Dorset) in the year 1603. We can
probably assume that since Hocktide was a festival, the food
mentioned in these records was consumed either by audiences at
feasts, or by the performers themselves while traveling.
Food was also
apparently given as gifts to those in higher positions or in the
place of money. For example, in the Dorset Cornwall volume, eels were
supposedly given to an influential political figure named Sir George
Trenchard as gifts in an undated record. In the same volume, malt,
wheat and even bacon were given in the place of money at a
fundraising event.
The Dorset Cornwall
and Lancashire volumes are especially helpful in that they list a
plethora of different types of food that were consumed, with notable
overlap between the two volumes, meaning that the most important
types of food are basically guaranteed to make appearances in these
records.
It should be noted
that a good number of the mentions of food in the Lancashire volume
are from the “Household accounts of Thomas Walmesley”, a
collection which postdates 1603 by 1-4 decades. There were two Thomas
Walmesleys; one was a rich lawyer and the other was his son. The
household records belong to the second Walmesley. He and his wife
were said to have entertainers visit their manor frequently; that is
why these records are relevant. I assume that these records were not
written long enough after the 16th century for the types
of food used for entertainment to be radically different than they
would have been 40 or less years before.
Apples, pears,
lemons, cherries, prunes, raisins, and oranges are all the fruits
that are mentioned in these volumes. “Pepper” is also mentioned,
but it is implied that this pepper was bought in a condiment form.
While most of the fruits are only listed in the aforementioned
Hocktide lists, it still seems odd that so many types of them were
used, because vegetables seem much less popular than fruits were.
There is no mention whatsoever of vegetables in the Dorset Cornwall
volume, while the Lancashire volume only mentions leeks and peas.
Animal products,
such as eggs, cheese and butter, were consumed. Interestingly, there
is no mention of milk. Spices and other condiments, such as vinegar,
mustard, honey, jelly, salt and pepper, were used. Grains were
important; specifically, malt and wheat. The wheat was needed for
bread, cakes and biscuits. Bread was especially commonplace; this is
evident by the sheer amount of mentions there are of bread throughout
all three volumes of records consulted.
Meat was, of
course, consumed often (the word for food itself was generally “meat”
or some variation on that spelling). This volume lists bacon, beef,
brawn, calves/calves' heads, chicken, capon and many other types of
fowl, chitterlings, drippings, fish and many other types of seafood,
lamb, mutton, neat's tongues, pigs, suet, tripe, veal and venison as
the different animals and meat dishes that were consumed. It is worth
noting that, when separated into food categories, an outstanding
amount of the food mentioned in these two volumes would fall under
the “meat” category. This tells us just how important meat was to
the people involved in early English drama.
The reader of this
essay should now be familiar with the reasons for which food appears
so often throughout the records left behind from Middle English
dramatic productions. For the most part, food is found on accounts
and inventory lists. Generally, it was needed either in order to feed
audiences at the feasts at which the plays would be performed, or to
feed the performers themselves as they traveled. Food was also
sometimes given as gifts. The Dorset Cornwall and Lancashire volumes
provide a decent idea of the kinds of food involved – meat of all
kinds were especially important, as well as bread. Logic dictates
that food may have also been used and consumed onstage during
dramatic productions as props, but there does not seem to be any
solid evidence for this in the three REED volumes consulted.
Bibliography
- Hays, Rosalind Conklin et al. Dorset Cornwall – Records of Early English Drama. Toronto: University of Toronto Press, 1999. Print.
- George, David F. Lancashire – Records of Early English Drama. Toronto: University of Toronto Press, 1991. Print.
- Wasson, John M. Devon – Records of Early English Drama. Toronto: University of Toronto Press, 1986. Print.
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